About 10 years ago, I took up ceramics. The first class I took at one of the country's premier institutions, Philadelphia's The Clay Studio, host to the upcoming NCECA conference, was a hand-building course. I learned all sorts of techniques for creating pots, and the one I loved the most was using slabs of clay. Eventually, I began making tiles.
To make a slab, you flatten a chunk of clay to a desired thickness, using either a slab roller or a rolling pin, the same type more commonly used in kitchens to make dough. Because I'd done some woodworking earlier in my life, I gravitated to slabs because it's possible to create similar kinds of pieces using both media. However, the trickiest thing for me about slabs was reminding myself that this smooth, evenly thick material wasn't wood. ...











